The Dial of Destiny consequently lacks the directorial mischievousness that, regardless of their flaws, is present in all four of the previous Indiana Jones movies. Throughout its 154-minute runtime, one can feel Mangold understandably buckling under the weight of his unparalleled predecessor’s legacy. The biggest problem with The Dial of Destiny is that it doesn’t ever feel like Mangold had that much fun making the film. Is Indiana Jones and the Dial of Destiny streaming? The 5 best scenes in the Indiana Jones franchise, ranked Mangold isn’t, after all, the only relatively accomplished studio filmmaker working today who makes movies that still rely far too much on shoddy CGI and digital effects. As disappointing as they are, his latest film’s numerous technical failings feel difficult to pin directly on him, too. On the other hand, the film boasts a surprisingly layered thematic depth that could only have been achieved by a filmmaker like Mangold, whose affection for his characters has made him a go-to director for franchise swan songs like Dial of Destiny and Logan. On the one hand, The Dial of Destiny lacks many of its franchise’s defining traits - namely, its uniquely Spielbergian verve. Both those aspects of The Dial of Destiny set its director, Ford v Ferrari and Logan helmer James Mangold, up to succeed and fail in ways that are well-suited to him. The film is not only the first Indiana Jones installment not to be directed by Steven Spielberg, but it’s also meant to serve as the series’ fifth and final chapter. One of the oddest mixed bags of the year, Indiana Jones and the Dial of Destiny is both as bad as many expected and better than most likely imagined. Several boring, cookie-cutter action set pieces James Mangold's surprisingly stuffy direction
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